| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 46762 |
 |
chickens 197 |
This is oil painting of chickens on canvas. |
| 67580 |
 |
Child Hiding Behind Egyptian Sculpture |
Description Theodoros Rallis - Child Hiding Behind Egyptian Sculpture, Luxor.jpeg
|
| 50860 |
 |
Child Portrait of Mary-s son |
mk216
in 1603
he was also crowned James I of England.
|
| 52722 |
 |
Child protrait of Mary-s son |
mk223
Oil on canvas
|
| 80889 |
 |
Child sitting on swing |
Date 19th Century
Medium Oil on canvas
Dimensions 8 x 8 inches
cjr |
| 80888 |
 |
Child standing on swing |
Date 19th Century
Medium Oil on canvas
Dimensions 8 x 8 inches
cjr |
| 57198 |
 |
Children |
mk253 canvas 121 x 200 cm in 1957-1960 in St. Petersburg, Russia museum |
| 73181 |
 |
Children on a Dune |
Oil painting reproduction of Ferdinand du Puigaudeau.
cjr |
| 76601 |
 |
Children with Parrot |
1850
cjr |
| 50905 |
 |
Chinese Jade book |
mk216
Painted for the Emperor Ch-ien Lung |
| 79260 |
 |
Chinese Laundry |
Chinese Laundry, painting, oil on canvas, 50.5 x 40.5 cm, by Peter Purves Smith
Date 1937(1937)
cjr |
| 34148 |
 |
Chinese Princess |
mk90
Prince Humay Dreams that he Meets Princess Humayun of China in her Garden Herat c.1430
|
| 45836 |
 |
Chiriu out of the series the 53 stations of the Tokaido |
mk178
1833/34
Color woodcut
22.7x35cm London |
| 56891 |
 |
Chisinau to leave the island Li Ya |
mk250 oil painting on cloth. In the year 1717 -1719. About 130 x 193 cm. The Louvre in Paris. |
| 63760 |
 |
Choir screen with the Crucifixion |
1245 Stone Cathedral, Naumburg Inside a Gothic cathedral, the nave was usually separated from the choir by a large stone choir screen, called a 'pulpitum' or 'jub?, which excluded the lay public from the liturgy performed behind it. The screens at Chartres and Amiens were later removed, but at Naumburg a superbly carved example from the middle of the thirteenth century has remained intact. Scenes from the Passion of Christ are carved in relief across the upper level; but it is the life-size figures over the projecting gabled porch that serves as the entrance to the choir that are most striking. Traditionally the three figures of the Crucifixion - Christ flanked by the mourning Mary and St John - were placed atop the screen, but here they are brought down to the level of the worshippers. The anguished Virgin turns to the beholder as if to say "Look!'", while on the other side St John provides another point of emotional entry into the scene, drawing viewers closer to Christ. The statue of Christ stands at the threshold between the priest's and the lay person's space, allowing the clergy almost literally to pass throiugh his body as they enter the sanctuary. Inside, the walls are decorated with large figures, after the manner of the Ste Chapelle in Paris. The figures are secular benefactors of the cathedral.Artist:GOTHIC SCULPTOR, German Title: Choir screen with the Crucifixion Painted in 1201-1250 , German - - sculpture : religious |
| 43381 |
 |
Cholula, the holy city and Quetzalcoatl |
mk171
Desecrated by the new civilizing God |
| 64925 |
 |
Christ and the Twelve Apostles |
1100 Wood, 103 x 130 cm Museu Nacional d'Art de Catalunya, Barcelona The earliest surviving examples of Spanish panel paintings are the altar panels produced by painters active in the workshops attached to religious houses. These panels were intended for the decoration of altars and the choice of theme was confined to the symbolic representation of figures from the New Testament. Scenes from the lives of saints were but rarely depicted. In practically every one of these panels we find centrally placed in the composition the figure of the Virgin or of Christ, surrounded by a round or oval halo. Round the central figure are narrative scenes or a hieratic arrangement of the apostles. This panel, now in Barcelona, is a typical example of such a retable. Its painter is referred to as the Master of Seo de Urgell. There are innumerable contemporary miniatures in which the faces and the drapery of the garments have been painted in a similarly stereotyped manner. Every single figure is schematic: the apostles stand stiffly upright, each one holding some object by which he can be identified - and yet the artist has breathed life into these figures. Christ, judging the world, places his hand on a book with the very gesture that might be used by a student of the law as he closes the codex in which he has sought guidance in reaching a fair judgement. At the same time there is in the iconography all the naivete of folk-art: the detail and ornamental elements convey the painter's delight in unrestricted decoration. , UNKNOWN MASTER, Spanish , Christ and the Twelve Apostles , 1101-1150 , Spanish , painting , religious |
| 27565 |
 |
Christ and the woman of samaria |
mk56
oil on canvas
Follower of Lodewijck Toeput,called il Pozzoserrato
|
| 30361 |
 |
Christ as a Warrior |
mk68
Mosaic,
Ravenna
Archbishop's Palace
|
| 53630 |
 |
Christ as Valdsharskare, Virgin Mary with child and the saints |
mk234
about 1190 |
| 52774 |
 |
Christ at the house of martha and mary |
mk223
oil on canvas
|
| 52736 |
 |
Christ Discovered in the Temple |
mk223
Oil on canvas
|
| 41924 |
 |
Christ Enthronement with Queer |
mk166
1130-1132
Mosaico House of God of Holy Queer Trastevere,Roma |
| 41761 |
 |
Christ Glorified and Blessing |
mk165
Decoration of an opus sectile
Coming from an edifice near port Marina
|
| 45502 |
 |
Christ in Emmaus |
mk186
around 1626-29 Cento, Pinacoteca Civica |
| 41762 |
 |
Christ in Mosaic |
mk165
Chapel of San Prisco
Near to Santa Maria Capua Vetere
|
| 68259 |
 |
Christ in the Garden of Gethsemane |
Technique Oil on canvas
Dimensions 99 ?? 75 cm
|
| 56841 |
 |
Christ in the Lee home at the end of |
mk250 Year in 1573. Oil on canvas, 564 x 1295.4 cm around. Venice School of Fine Arts |
| 29182 |
 |
Christ Laid in the Tomb |
mk65
Tempera and Oil on panel
37x71 1/2"
|
| 48471 |
 |
Christ leads his faithful bride into the new garden of the church, |
mk190
Engraving from i David,Paradisus sponsi et sponsae
1618
Bristish Library.London
|
| 65102 |
 |
Christ on the Cross between the Virgin and St John the Evangelist |
1413 Vellum, 41,5 x 29,5 cm Town Archive, Brno The folio is from the Missal of St Vitus Cathedral in Prague, otherwise known as the Olomouc Missal. In a frame of a standing oblong shape, which gives a three-dimensional effect, the crucified Christ is represented between the figures of the Virgin and of St John the Evangelist. The marginal decoration of scrolls of acanthus leaves springs from the corners of the frame, and encircles a small, round field at the bottom, where the Vir Dolorum is depicted. The acanthus decoration which had been made some 10-20 years earlier in the workshop which executed commissions for the Emperor Wenceslas, is here arranged in a more regular and decorative manner, the scrolls and leaves being even more stylized. They have virtually assumed a metallic hardness. In the picture itself the features which formerly characterized the International Gothic style have been further modified to the point of being exaggerated. All elements in the picture have been made secondary to a desire for decorativeness: Christ's ribs form a regular pattern of parallel lines, as do the veins of the wood of the cross. The crown of thorns looks like an ornamental head-dress rather than an instrument of torture; and the drops of blood falling from the wound of Christ on the kerchief of the Virgin harmonize beautifully with her cherry-red lips. Though the figures beside the cross are slender, in accordance with the taste of the period, they are wrapped in enormously ample draperies. But to show the Virgin so full of joie de vivre that she almost seems to be dancing does not suit the mood of this picture. Furthermore, St John is so enveloped in a mass of draperies disproportionate to his small head that he appears to be hiding someone under his garments. His right arm extended to touch the cross looks rather distorted; it is too long and is twisted at the wrist in a strange, unnatural manner. These extremely stylized idioms of form fit the abstract and symbolic figure of the Vir Dolorum better; even so, the way that the end of His loincloth is placed in front of the sarcophagus and arranged in a decorative manner, seems to indicate certain playfulness whose purpose is not fully clarified. International Gothic art, no doubt, had always been in danger of becoming exaggeratedly stylized, and by the time the style was coming to an end this contrived and purposeless formalism had begun to dominate it, particularly in the work of minor artists. In the miniature in Brno a feature appears which is in sharp contrast to the accepted qualities of the International Gothic style, a feature which is more characteristic of the art of subsequent decades: instead of soft, wavy lines the folds show harder lines and sharper angles (particularly in the mantle of St John. , MINIATURIST, Bohemian , Christ on the Cross between the Virgin and St John the Evangelist , 1401-1450 , Bohemian , illumination , religious |
| 91915 |
 |
Christ on the Cross by Anton Raphael Mengs. Now in the Palacio Real, Aranjuez, in the former bedroom of King Carlos III. |
Oil on wood, 198 x 115 cm.
Date ca. 1765-68
cjr |
| 51078 |
 |
Christ on the Cross with Mary as Intercessor and a Donor |
1420-30
Oak panel, 70,3 x 71,6 cm |
| 30379 |
 |
Christ Pantocrator |
mk68
Mosaic
Cefalu
Cefalu Cathedral
c.1155
Italy
|
| 41764 |
 |
Christ Pantocrator |
mk163
Egg tempera on plaster on wood
47.5x30cm
|
| 41765 |
 |
Christ Pantocrator |
mk165
Mosaic
Museo del Bargello
Florence
|
| 41768 |
 |
Christ Pantocrator |
mk165
Saint Catherine Monastery
|
| 83706 |
 |
Christ Rising from the Tomb Ambrogio Bergognone |
Oil on panel, 114.5 x 61.2 cm 1490
cjr |
| 39410 |
 |
Christ the sublime |
mk148
Its representation of hell, Purgatorium and paradise were influenced of that" visions of the Esra" |
| 82217 |
 |
Christen Thomesen Sehested |
Date 1600s
Medium Oil
cjr |
| 75749 |
 |
Christiaan Julius Lodewyck Portman |
Date 1836
Materials: oil on canvas Measurements Painting: 990 x 1333 mm Credit line: National Maritime Museum, London
cyf |
| 82072 |
 |
Christian Frederik Ditlev Reventlow |
Date Late 1700s
Medium Oil
cjr |
| 76894 |
 |
Christian II, Count Palatine of Zweibrucken-Birkenfeld |
1732(1732)
Oil on canvas
cjr |
| 73198 |
 |
Christian Mali Schafherde mit Esel |
Oil on canvas
Dimensions: 56 x 86.5 cm
cyf |
| 56747 |
 |
Christian mourning |
mk250 Macedonia, with Qi Lei, St. Pantailaimeng church frescoes. |
| 49333 |
 |
Christmas Eve |
mk195
West Point Museum
United States
|
| 88034 |
 |
Christus betritt mit seinen Jungern den Garten Gethsemane |
1888(1888)
Medium Oil on canvas
Dimensions Deutsch: 65,3 x 85 cm
cjr |
| 42595 |
 |
Christus in majesty, page from the bible of Stavelot |
MK169
1093-97 Parchment 57.5x37cm |
| 42580 |
 |
Christus Pantokrator |
MK169
ca. 1020 n. Chr. Mozaiek in the Dome of the Church to Daphni By Athens |
| 65211 |
 |
Chronicle of Anonymous |
1200 Illumination on archment National Sz?ch?nyi Library, Budapest The picture shows the first page of the Chronicle of Anonymous. The anonymous notary of King B?la III, P. magister, is identified as Peter, the bishop of ?buda. It is assumed that he studied in Paris, and from his exact description of the region it is also assumed that he came from Zempl?n, Upper Hungary, where Hungarian tribes conquering Hungary first settled. Artist: MINIATURIST, Hungarian , Chronicle of Anonymous , 1201-1250 , Hungarian , illumination , historical |
| 43439 |
 |
Chroniclers like Francisco |
mk172
Lopez de Gomara maintained that the conquest had accomplished its purpose thanks to the invervention and assistance from such Biblical personages as the apostle St.James the Greater. |
| 57168 |
 |
Chrysanthemum |
mk253 oil painting 98 x 98 cm Moscow in 1905, the State Tretyakov Gallery collection |
| 67365 |
 |
Chrzanowska na zamku w Trembowli |
Description Löffler-Anna Dorota Chrzanowska na zamku w Trembowli.jpg
Polski: Anna Dorota Chrzanowska na zamku w Trembowli
Oil on canvas, 65x89, Gallery of Art in Lviv |
| 66797 |
 |
Chtrelis |
Painting of the Spanish artist Ignacio Trelis. |
| 52765 |
 |
Church of St Mary |
mk223
Oil on canvas
|
| 61522 |
 |
churchill blev symbolen for den okuvliga engelska motstands viljan under krigsaren |
mk275 churchill blev symbolen for den okuvliga engelska motstands viljan under krigsaren |
| 41915 |
 |
Cibeles With one dove and one paternal |
mk166
Entre the centuries III and II a.c. Museo Archeology Nacional,Reggio di Hawser |
| 53644 |
 |
Cimabue, Maesta |
mk234
1280-85
386x225cm |
| 57162 |
 |
Cinder seized |
mk253 oil painting 80 x 107 cm in 1894 in St. Petersburg, Russia museum |
| 49664 |
 |
Cinnamon husband am creating to one moths food |
mk199
|
| 50981 |
 |
Circuit Rider |
mk217
|
| 56996 |
 |
City |
mk250 Year in 1919. Oil on canvas, about 231.1 x 298.5 cm. Philadelphia Museum of Art. |
| 48844 |
 |
Civilisation hogborg |
mk187
Pa Drottningholms palace together am threading Vitterhet,Somstiftats of Lovisa Ulrika 1753 |
| 43412 |
 |
Civilizing missionaries, teachers apostolicos |
mk171
|
| 57774 |
 |
claes brorsson ralamb |
mk260
claes brorsson ralamb,portratterad av david klocker ehrenstrahl.som sandebud i konstan tinoel 1656 fick ralamb smaka kaffe en kokad dryck av bonor,som de dricker hett istallet for brannvin. kaffet hade inforts till europa av venezianarna omkring ar 1580, men kom inte till sverige forran i borjan av 1700 talet |
| 48513 |
 |
Clandon Park |
mk190
1708
a view of the spectacular gardens designed in the 1690s for Richard
1 st Baron |
| 45974 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 01 |
Hunting fox and wild animals. |
| 45983 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 010. |
Classical oil paintings on canvas of hunting sports. |
| 45984 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 011. |
one white horse and some dogs
|
| 45985 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 012. |
Classical oil paintings on canvas of hunting sports. |
| 45986 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 013. |
Mauled, hunting dogs and hunting horse. |
| 45987 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 014. |
Classical Equestrian and Beautiful Horses. |
| 45988 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 015. |
Classical Equestrian and Beautiful Horses. |
| 45989 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 016. |
Mauled, hunting dogs and hunting horse. |
| 45990 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 017. |
Classical oil paintings on canvas of hunting sports. |
| 45991 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 018. |
Classical Equestrian and Beautiful Horses. |
| 45992 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 019. |
Classical Equestrian and Beautiful Horses. |
| 45975 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 02. |
Mauled, hunting dogs and hunting horse. |
| 45993 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 020. |
Classical Equestrian and Beautiful Horses. |
| 45994 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 021. |
Classical oil paintings on canvas of hunting sports. |
| 45995 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 022. |
Mauled, hunting dogs and hunting horse. |
| 45996 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 023. |
Classical oil paintings on canvas of hunting sports. |
| 45997 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 024. |
Classical oil paintings on canvas of hunting sports. |
| 45998 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 025. |
Classical Equestrian and Beautiful Horses. |
| 45999 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 026. |
Mauled, hunting dogs and hunting horse. |
| 46000 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 027. |
Classical Equestrian and Beautiful Horses. |
| 46001 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 028. |
Mauled, hunting dogs and hunting horse. |
| 46002 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 029. |
Classical Equestrian and Beautiful Horses. |
| 45976 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 03. |
Classical oil paintings on canvas of hunting sports. |
| 46003 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 030. |
Mauled, hunting dogs and hunting horse. |
| 46004 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 031. |
Classical oil paintings on canvas of hunting sports. |
| 46005 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 032. |
Classical Equestrian and Beautiful Horses. |
| 46006 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 033. |
Hunting fox and wild animals. |
| 46007 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 034. |
Classical Equestrian and Beautiful Horses. |
| 46008 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 035. |
Classical Equestrian and Beautiful Horses. |
| 46009 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 037. |
Classical Equestrian and Beautiful Horses. |
| 46010 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 038. |
Classical oil paintings on canvas of hunting sports. |
| 46011 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 039. |
Classical Equestrian and Beautiful Horses. |
| 45977 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 04. |
Classical Equestrian and Beautiful Horses. |
| 46012 |
 |
Classical hunting fox, Equestrian and Beautiful Horses, 040. |
Classical oil paintings on canvas of hunting sports. |
